Audio Separation for Film, Television, and Broadcast
Separate dialogue, music, and effects from any track
From isolating dialogue for dubbing and localization to separating music and effects for re-versioning and compliance — each model covers a specific audio separation workflow in film and television production.
Isolates spoken dialogue from complex mixed audio. Handles noisy on-location recordings, crowd environments, and mixed broadcast content where speech clarity is the priority.
Detects and removes licensed music from mixed content to resolve copyright compliance issues. Used by broadcasters and post teams working with archive or UGC content.
Separates individual speakers from recordings with multiple overlapping voices. Used for interview content, unscripted television, and any production where speaker-level control matters.
Detects music usage in finished content and generates structured cue sheet reports. Reduces manual reporting work for broadcast compliance and music licensing workflows.
| Musical Composition | Performer(s) | Time In / Time Out | Record Labels | Confidence |
| Streamline Intro | kashc | 00:00:00/00:00:10 (00:00:10) | kashc/ | 0.996 |
| Wingsuits | Marcus Rivers | 00:00:10/00:01:30 (00:01:20) | Streamline Studios, LLC/ | 0.996 |
| Close Friends Anthem | Riley Chen | 00:01:50/00:02:40 (00:00:50) | Wavelength Records/ | 0.996 |
| Huck Calls | Marcus Rivers | 00:05:10/00:05:50 (00:00:40) | Streamline Studios, LLC/ | 0.996 |
Isolates the sound effects stem from finished content. Used for re-versioning, sound design reference, and effects-track reconstruction from locked mixes where the original session is unavailable.
Isolates the music stem from a fully mixed track. Used for score extraction, sync licensing prep, and music-specific compliance workflows where only the music layer is needed.
Who uses these models
How to use AudioShake's Film & TV models
FAQ
