Automaticallly Remove Copyright Music
Avoid fines, takedowns, and copyright infringment with AudioShake's Music Removal tool. Remove music from any video or audio file, isolating the clean voice without losing quality. Available via AudioShake's web-based platforms, AudioShake's API, and AudioShake's SDK.
Need clean dialogue isolation? See our dedicated Dialogue Isolation model for clean voice isolation.
Need clean dialogue isolation? See our dedicated Dialogue Isolation model for clean voice isolation.
Film Credits: Jaywalker Music
MORE ON MUSIC REMOVAL
00:00
What is Music Removal?
AudioShake's music removal model can isolate and remove music from any piece of content, while preserving background dialogue and effects.
Organizations risk millions in fines and missed opportunities due to the presence of copyright music buried underneath their content. With music removal, catalogs of content with expired licenses becomes usable. Social teams can post UGC content without the licensed track. And live broadcast teams can remove music caught in the background of field reporting or stadiums, before it reaches audiences.
Available for live broadcast
Copyright-free distribution



01
How to remove music from your content
01
Bring content to AudioShake
Upload full video or audio to our web app, integrate via the AudioShake API, or use the AudioShake SDK for live broadcast settings.
02
Select Music Removal options
AudioShake removes copyrighted music directly from the mix, while keeping clean voice and background noise..
03
Export music-free audio
Output is copyright-free, broadcast-ready audio, prepared for catalog distribution, FAST channel licensing, or social media.
WEB PLATFORM
Upload and process recordings directly
AudioShake Live is an intuitive, drag-and-drop web platform designed for teams to quickly remove music from individual files, and access AudioShake's other separation models.
REQUEST ACCESSAPI AND SDK
Integrate Music Removal into your workflow
Connect Music Removal directly to your pipeline via the AudioShake API or via AudioShake's SDK (available on iOS, macOS, Windows, Android, Linux).
DEVELOPER DOCS02
A copyright remover for every workflow
01
Archive & catalog teams
Bring old recordings back into rotation
Introducing catalog or archive content to new channels or new markets means dealing with music licenses that have expired or were never cleared for the new territory. Use AudioShake to isolate dialogue and background noise, while removing music for clean re-versioning, re-scoring, or re-release.
→
02
UGC & CONTENT CREATORS
Publish content with copyright fears
Copyrighted music will trigger content takedowns, flags, and fees, even if its just in the background of a video. Rather than re-shooting, re-syncing, or muting the whole clip, remove the music and isolate the dialogue and background noise for a safe, usable piece of content for your channels.
→
03
SPORTS BROADCAST & ARCHIVES
When stadium music ends up in your broadcast
Stadium music, walk-up tracks, and PA bleed enter live broadcasts as copyrighted material, and expired licenses lock archival content out of redistribution. AudioShake removes copyrighted music from live feeds and highlights, preserves commentary and crowd energy, and accelerates turnaround times across television, streaming, and social.
→
03
All perceptible music gone, all dialogue retained
Compared to previous Music Removal models, AudioShake's newest model
3×
better than our existing dialogue model on legacy recordings — archival material, old broadcast captures, aging tape transfers
0
quality degradation on clean recordings. If the audio arrives clean, it stays that way.
04
Frequently Asked Questions
What kinds of content is AudioShake Music Removal built for?
AudioShake Music Removal is built for fully-mixed content where music is layered with dialogue, commentary, and ambient sound. That includes sports broadcasts, news segments, legacy TV episodes with expired music rights, podcasts and interviews recorded in public spaces, branded content, and archival footage being prepared for re-distribution. The models handle noisy, real-world audio rather than clean, isolated tracks.

Get in touch.



